Reviewed by Darren Hirst

Alice Cooper's new album evokes the pulp magazines and comics of the 1940s and 1950s and the graphic novels of today. Unlike the pulps, it concentrates on the villain, "The Spider", rather than the detective or superhero trying to track him down. Unlike many graphic novels, the violence is imagined or assumed rather than forcibly depicted for all to see. Either way, this probably makes it one of the most unusual themes tackled on an album by a Christian believer in this year or any other. A serial killer who tracks down his victims in order to kill them and wrap them in silk. It might have proved unpalatable if it wasn't done with such humour and panache. and if this wasn't so evidently an aural comic book. The Spider is Cooper's "The Joker" but with good songs and less blood. As on all his most recent albums, Cooper is concerned with the big questions of life in his songwriting as well as the melodrama of the stories he writes so well. In the second to last song, the villain of the piece finds himself confronted with the consequences of his actions in the song "Salvation". The narrator left to consider where his life went wrong is confronted by the fear of a lost eternity: "Any chance of salvation/Any chance for me?/Any chance of salvation for eternity/Someone died for me/Washed in blood/He cared enough to pity me." Like all great mystery stories (even those told from the villain's side) this one has a great twist in the tail which I won't reveal here but which will have you puzzling for a long time. This is not an album for those who have narrow views of what are suitable subjects to be written on, watched or listened to but if you're someone who loves great melodies, and bright harmonies in their rock and witty black humour in their songwriting (not to mention a lovingly packaged album with great artwork) - and a great mystery story, this one might be for you. But approach with caution, you just might end up in the Spider's web.