Bruce Cockburn - Bone On Bone

Published Wednesday 31st January 2018
Bruce Cockburn - Bone On Bone
Bruce Cockburn - Bone On Bone

STYLE: Roots/Acoustic
RATING 7 7 7 7 7 7 7
OUR PRODUCT CODE: 168052-26359
LABEL: True North
FORMAT: CD Album

Reviewed by Paul S Ganney

If you're already familiar with Canadian singer/songwriter Cockburn (and if not, where have you been for the last 30 years?) then you know what you're in for. Intelligent lyrics half-sung, half-recited over very accomplished (mostly) acoustic guitar playing (see the instrumental "Bone On Bone" for a particular example of his skill), plus band, but they generally sit back letting the main man take the lead, adding flourishes here and there, all very good in a Dire Straits/Neil Young/Johnny Cash sort of way. Opening with the Americana-styled "States I'm In" (the first single from the album) and "Stab At Matter" (the latter with a shoutalong chorus), the album kind of finds a groove that it likes and then mostly sits there. "Looking And Waiting" has a nice shuffle to it and "False River" some musical licks that grab your ears. Lyrically there are hints of a faith making sense of the world's contradictions and travails. As the statement at the top of his website puts it, "Part of the job of being human is just to try to spread light, at whatever level you can do it," which is a fair summary. "Al Purdy's" has some nice lines ("I'm the product of some parents the sort who shouldn't breed") and "Jesus Train" is reminiscent of Dylan's 'Slow Train Coming' material in terms of metaphors (and not just the railway references). I was thinking "Twelve Gates To The City" was getting a bit repetitive until ultimately he sang "doesn't matter what tribe you're from there's a way in for you" and it suddenly made sense. 'Bone On Bone' displays an artist very comfortable with where he is: there's an effortlessness to the playing and arrangements that is very smooth, but lacks some of the edginess that made Cockburn such a powerful communicator years back.

The opinions expressed in this article are not necessarily those held by Cross Rhythms. Any expressed views were accurate at the time of publishing but may or may not reflect the views of the individuals concerned at a later date.

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