John Stainer, Saint Michael's Singers - The Crucifixion: A Meditation On The Passion Of Jesus
STYLE: Choral RATING OUR PRODUCT CODE: 106196-18326 LABEL: Classic Fox CFR0903 FORMAT: CD Album ITEMS: 1 RELEASE DATE: 2012-03-12 RRP: £9.99
Reviewed by Steven Whitehead
John Stainer (1840-1901) wrote 'The Crucifixion' to be used as an act of worship and it was first "performed", if that is the right word, on Maundy Thursday 1887. The version under review was recorded after a liturgical performance on Good Friday 1990 in Coventry Cathedral, by St Michael's Chamber Choir. At the time of recording, the choir was conducted by the then Deputy Director of Music of Coventry Cathedral, Christopher Argent, who was later appointed Director of Music at Christchurch School, Oxford. The recording has now been digitally re-mastered and is available on CD for the first time. Stainer wrote 'The Crucifixion' as a meditation on the death of Jesus but, like Bach's Passions and Handel's 'Messiah' it stands up as art in its own right. The St Michael's Singers give a decent account of themselves and we welcome the inclusion of the five hymns that Stainer wrote for the congregation to join in, rather than passively observing throughout. However, this recording - good though it is - is not the best in a crowded market. If you have the original release on cassette and want to upgrade to CD then now is your chance but if you are looking for the definitive version of this very popular piece then this is not it.
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Product Description
Performed by Saint Michaels Chamber Choir, a part of The Saint Michael Singers. Recorded in Coventry Cathedral.
Written while Stainer was organist of St Paul’s Cathedral London, The Crucifixion remains the favourite of church choirs everywhere.
Intended as a devotional work to be performed on Good Friday it was probably modelled on the Passion music of JS Bach, but is more readily accessible.
The Crucifixion has provided some of our most moving hymns such as “Cross of Jesus, Cross of Sorrow” and “All For Jesus”, as well as the sublime choral setting of “For God So Loved The World”.