Reviewed by Ian Webber

Whilst I had to look up what the name of the album meant (conflicting blasphemies), this challenging onslaught leaves you in no doubt as to where this duo are coming from. The overall metallic sounding production of the recording gives the impression that the EP was recorded in a tin can but also adds atmosphere lending credence to the assertion that this is "frostbitten black metal from the desolate tundra of Indiana." To pin down the exact style of this collection is, however, difficult. At times orchestral, at others grimy and industrial as in the multifaceted "Nomadic Tumor". The title track has an almost hardcore-like feel with metronomic drums under a buzz of guitars. I could also pick out Asaph's vocals as they scratched out sections of Psalm 23. After four solid tracks, the closer "Coda" drives ahead with a screaming guitar solo and classical edge before the track descends to a slugfest of pulsing guitars over a single drum click track. All this leads to the discordant finish of clashing cymbals that are full of the same chilling atmosphere that is evident throughout. By no means background music; it demands your attention, sharing its confrontational message. Although I could not work out all the lyrics, those that I could decipher focus on hypocrisy in the theology of some Christian churches. 'Tergiversating Blasphemies' may have limited appeal, but if you enjoy black metal with a chilling European edge you could do worse than listen to what Mystic Winter offer on this debut EP.

The opinions expressed in this article are not necessarily those held by Cross Rhythms. Any expressed views were accurate at the time of publishing but may or may not reflect the views of the individuals concerned at a later date.

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