Various - Meltdown: Echoes Of Eternity

Published Saturday 11th February 2017
Various - Meltdown: Echoes Of Eternity
Various - Meltdown: Echoes Of Eternity

STYLE: Hard Music
RATING 8 8 8 8 8 8 8 8
OUR PRODUCT CODE: 163147-24422
LABEL: Meltdown MDM2016C
FORMAT: CD Album
ITEMS: 1

Reviewed by Paul S Ganney

One of the highlights of the Greenbelt festival in its Cheltenham days was the Meltdown showcase, consisting of about four young metal bands all crammed into one high-energy, sweaty, rapid fire set. Even better when there were two of them in the same weekend. This album comes from the same people, who believe that metal is not only not the Devil's music but that it can be used to glorify God and build faith in young Christians. It's got all you'd want: riffs, power chords, soaring vocals, riffs, heavy drumming (how many double bass drum pedals does it take to make a great album?), screamed vocals, strummed bass lines, riffs, guttural vocals and more riffs. Lyrically it reflects the ethos of Meltdown described earlier. As with most samplers it doesn't have one overall style (despite being solidly metal) but does showcase the genre well and actually holds together better than most. I'd normally list bands the album reminded me of, but the list here would just be far too long. Just assume that if you have a favourite metal band, there'll be someone here who'll play something that reminds you of them, without being too directly derivative. Oskord even bring a flute to the party. It's very well written, played, performed and recorded - there's not a duff track here. My only criticism would be that there's no let-up as you'd find on a "normal" album, where you draw breath before piling back in again, but it's a minor quibble really. Standout tracks for me were "The Rose" by Fades Away, "Vivente" by Aggelos (for the simple but infectious keyboard line and Nightwish-esque chorus), "The Change" by As We Are (more American pop rock than metal but holds its own), "Pounded" by Ancient Prophecy (which reminded me of Amaranthe with a lovely Moore-era Thin Lizzie styled middle eight that was an unexpected delight), "Salvation Ark" by Oskord (for the Celtic influences), "LD50" by Saving Strike (for the jangly guitars which gave it an indie metal feel) and "Refresh" by Final Surrender (for definitely the best intro on the album - a hummed tune that made you sit up and listen, wondering what was coming next: Helloween-style speed metal is the answer). Suffice to say that I will be checking more of these bands out, which is the point of a sampler really.

The opinions expressed in this article are not necessarily those held by Cross Rhythms. Any expressed views were accurate at the time of publishing but may or may not reflect the views of the individuals concerned at a later date.

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