Reviewed by Andy Cooper

This is volume three out of four and contains 23 tracks from three recording sessions in North/South Carolina. It charts the change of bass singer, as William Bobo replaces Jimmy Bryant. The thing is that Jimmy had such a deep and distinct quality to his voice that Bobo didn't quite live up to, though he did bring a smoother, more refined touch to the quartet. "Oh! Jonah" is a fine start to Bobo's career, where he makes didgeridoo type sounds underneath lead singer Roosevelt Fennoy's story telling (honest!). Jimmy was better at the doo-wop type of marching bass lines, as shown in the opening "I Want To Be More Like Jesus". Many of the songs from the first two sessions have Jimmy, the tenor and the baritone making rhythmic sounds imitating brass instruments during the verses, and joining Roosevelt with close harmony in the choruses. For anyone interested in unaccompanied vocal music, this collection will be of interest, as it highlights some fine examples of a significant style seldom heard these days.

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