Reviewed by Lins Honeyman

This collection features the chronological recordings of two of the more successful black vocal groups of the '20s. First up are six tracks from the Four Harmony Kings who had already made a name for themselves on the vaudeville and Broadway circuits. Numbers like "Goodnight Angeline" and the barbershop favourite "Sweet Adelyne" showcase the group's peerless harmonic ability and the refined nature of these songs explains why the Kings appealed to white audiences in America and Europe. Even their rendition of "When The Saints Come Marching In" - one of the earliest recordings of this standard - tones down the black gospel fervour of other versions in what may have been an attempt to secure white interest. The majority of this release is taken up by the Pace Jubilee Singers who enjoyed a successful recording career for labels such as Brunswick, Paramount and Victor in the '20s. Whilst other lead vocalists feature (Katherine Simpson on "Were You There When They Crucified My Lord" and Sarah Williams on "Certainly Lord"), none match the definitive quality of the wonderful Hattie Parker who, backed by the steadfast vocal skills of her colleagues, lifts the Singers' repertoire into another realm. Her trademark soprano swoops most noticeable in "You Gonna Reap Just" would later influence gospel great Clara Ward whilst songs like "I'm Going Through Jesus" and "His Eye Is On The Sparrow" act as a precursor to all that Mahalia Jackson would bring to the music world. Despite the obvious poor sound quality, this is yet another fascinating and worthy release from the folks at Document Records and serves to place into perspective the important part groups like these played in shaping modern day music.

The opinions expressed in this article are not necessarily those held by Cross Rhythms. Any expressed views were accurate at the time of publishing but may or may not reflect the views of the individuals concerned at a later date.

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