Reviewed by Anthony Longville

This is the follow up to 'Light At The End Of The Tunnel' (if follow up is the right phrase considering 'End Of The Tunnel' was issued back in 1996). This US band got a little publicity by being "discovered" by former Yes man, Rick Wakeman. Not bad when you think that Ajalon member Randy George cites Yes as being his favourite band. Ajalon consist of Wil Henderson on lead vocals and Dan Lile on drums (Henderson also plays bass guitar, guitar and Irish whistle on some of the tracks) and multi-instrumentalist George on bass, keyboards, bodhran, and lead and acoustic guitars. The style of the music is unashamedly progressive rock, but it would be a shame if the label put people off listening, because this is basically rock music of the highest order which should appeal to a wider audience. From the folky instrumental of "Anthem Of The Seventh Day" through to the 16 minute title track, brace yourself for a wonderful musical ride. This is not just for men in anoraks! Prepare to be singing along! There are many highlights, but to me the standout is "The Promised Land" with a swirling guitar sound reminiscent of "Wurm" from Yes's 'Starship Trooper' which then leads into a magnificent guitar solo from George. "Holy Spirit Fire" features an excellent guest vocal from Phil Keaggy. Indeed the guests on the album are another enjoyable feature. On "What Kind Of Love", a song inspired by the shootings at Columbine High School in 1999 (although also poignant in the light of the London bombings), Wakeman himself lends a hand with two trademark keyboard solos. The title track benefits also from the vocal talents of the incomparable Neal Morse. My own impression is that this album is a huge leap forward from its predecessor, with its rich sounds, virtuoso musicianship, strong vocals and uncompromising but thoughtful lyrics. Go get! Oh - and there's a Moody Blues cover as a bonus track.

The opinions expressed in this article are not necessarily those held by Cross Rhythms. Any expressed views were accurate at the time of publishing but may or may not reflect the views of the individuals concerned at a later date.

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