Reviewed by Tony Cummings

Some consider this mid 80s set Marilyn's best album, and after a rather patchy release history (originally released by the ill-fated Window Records and then reissued by Word) it has finally emerged on a CD. Produced in Nashville, though with neither country nor classy CCM intruding on Marilyn's understated, MOR sound, there are several very pretty worshipful songs here and its new format will undoubtedly attract new purchases from Marilyn's loyal following.

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