Producers Zarc Porter and Matt Wanstall talk us through tracks on the new WORLD WIDE MESSAGE TRIBE album
"Frantik"
The track began when I got together
with Justin Thomas (ex HOG and regular WWMT lyric writer) to start
work on writing some new material'. We talked about getting something
mega hyper to replace "Jumping" in the Tribe's live set. We put in a
rough groove and he quickly wrote a bunch of lyrics, which I then
started to build a track around. We actually completed two versions of
this one, the first I thought sounded too much like "Lift" off
'Jumping III' so I started again using this '60s piano and Hammond
riff as the basis which I think was much better in the end. - Zarc
'Truth"
Cam had been working on a demo for
"Truth" and it was one'of those tracks which kept evolving over time.
Cam came in with his original ideas and wrote the raps over a basic
drum groove. We then added the chorus with Doronda and put a James
Bond style chord sequence under it which gave it a bit of extra
character. - Zarc
"Got To Be With You"
This track, "I'll Be There"
and "Joy Dayz" were all recorded in an intensive period in June,
during which we were also working on two other tracks that didn't make
it, including a rap version of Chaka Khan's "Ain't Nobody" for which
we completed, but couldn't get publishing clearance in time. "Got To
Be With You" is a track of Doug Walker's and was a real chance to let
Deronda do her diva thing again. It was a little tricky not to let
it.sound too dated, as there is not too much song-based dance material
in the charts at the moment, but I think it turned out reasonably
well. - Matt
"Eat The Word"
Doug Walker was largely
responsible for "Eat The Word". He had actually written the original
track a few years ago after listening to an old Tribe track called "We
Talk To The Lord". The band heard it and liked it and we decided to
work on it further. Cam had also worked on the original backing so it
was just a case of moving it all up a gear and adding the middle eight
sung section to make it sound more complete. - Zarc
"I'll Be There"
It's a little tragic that the
song is only half of the song we recorded. We used a verse from
another song, but again couldn't get clearance as one of the writers
was somewhere unknown in South America, so at the last minute the
middle of the song was quite literally chopped out, which is a real
shame as the track was storming, and now sounds a bit odd. The
original idea was Cam's, and the sound of the track is one of the
closest to the 'Heatseeker1 stuff. There is a lot of weird filtering
stuff going on with the vocals and beats, and Deronda's vocal (what is
left of it) is actually the original guide vocal. It sounded so good
that we just left it in. - Matt
"Girl Of God"
This was largely Emma's idea. She
has quickly become an extremely talented lyric writer and she came in
with all the raps complete. We then worked on a chorus which we added
in but it still seemed a bit unfinished. Doronda had also written a
chorus for the track which we actually adapted into the bridge section
in the end, this helped to complete the track. -Zarc
"Love Is The Greatest"
A song written by Cam,
Deronda and B Doll, the hook goes, "Love, love is the greatest/Love is
what we pray each and every day/Love, love is contagious." Hopefully
the track is contagious. Matt and Cam did the programming and we all
took a hand in the production. - Zarc
"Message Of Love"
This was an Arthur Baker track
from about 10 years ago. It was Cam's idea to cover this and he came
into the studio with a rough idea mapped out. It was initially quite
difficult to see either of these tracks as obvious Tribe material, but
things gradually fell into place. I decided to use guitar quite
prominently on both tracks, and used Dave Williams, a local session
player who's worked on a fair bit of well known stuff. We kept a quite
loose "streety" sound with quite a few loops and snippets interacting
and a fairly raw, up front vocal from Deronda. - Matt
"Joy Dayz"
"Joy Dayz" was one of those tracks
that just happened the way you wish every song would. Whilst we were
working on another track, Tim heard a guitar loop and said that it
would be ideal to write a summery tune to, so we quickly put a couple
of ideas down for reference. When we came back to it a couple of weeks
later, Tim and Emma's raps came within an hour or so, and by the end
of the day, most of the music was in place as well. Deronda put the
vocals down a couple of days later, and Dave Woodman added some guitar
samples. Whilst the party track idea has been done many times before,
the track has a really nice feel to it that really captures the lyric.
If you listen carefully to the background noise you can hear Emma
asking if we're recording yet, and Deronda talking about her bra for
some unknown reason! - Matt
"I Give You My Life"
Unlike "Love Is The
Greatest", this song needed to be quite clean and well produced, but
not so much that it wasn't a Tribe track any more. Initially this was
a duet with Doug Walker, who wrote the song, but it sounded a little
too off the track for the Tribe (although Doug's vocal was great). -
Matt