Clark Byron - In That Day

Saturday 1st November 2003
Clark Byron - In That Day
Clark Byron - In That Day

STYLE: MOR / Soft Pop
RATING 4 4 4 4
OUR PRODUCT CODE: 7790-7551
LABEL: Independent
FORMAT: CD Album

Reviewed by Ian Hayter

Clark Byron began singing and playing in his native New York State in 1976 and in recent years has been voted Kansas City Christian Music Songwriter Of The Year and Male Vocalist Of The Year. He has a nice enough voice and his songs are well crafted, but I don’t know what the competition’s like in Kansas City. This album, Clark’s first since his 1997 offering ‘Precious Cargo’, took me back to the early ‘70s - the music and the lyrics are much as you would have found on some of the early Key label records, only here the production is considerably better. What I’m trying to say is that this is a well produced set of songs, but the songs themselves are not really anything special. The lyrical content is full of the language of Zion - indeed, one track is called “The Road To Zion” - and the tunes are memorable only in the “I wish I could get that tune out of my head” kind of way. There are one or two tracks which stand out from the rest - “Come Let Us Reveal Him” has some great acoustic guitar work on it and “Tidings Of Joy” has a rather pleasant string arrangement bubbling along in the background - but there’s nothing here to make this album stand out from thousands of others. Mr Byron is joined by his wife Dana on harmonies and the two obviously work well together, but with 10 tracks (half of which are written by the singer) coming in at only just over 34 minutes, this is not really an album I’d recommend.

The opinions expressed in this article are not necessarily those held by Cross Rhythms. Any expressed views were accurate at the time of publishing but may or may not reflect the views of the individuals concerned at a later date.

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Reader Comments

Posted by Clark Byron in Savannah, GA USA @ 03:03 on Aug 22 2014

It's quite all right with me when people don't care for my music and even when they're critical of it, as critics are expected to critique. But I am a bit flummoxed by this young Brit's self-contradictory assessments. He has some positive and some neutral comments about it. His most negative comment in assessing it is that the songs were memorable in the sense that he couldn't get the songs out of his head. In popular music, that's the goal. Plus, the critic had some idea of my age and therefore, should have assumed the age demographic of my audience, in which he is obviously not included (I have things in my fridge older than this kid). Critics in magazines like this, especially young critics, think a lot more of their opinions than anyone else, and they represent the cutting edge of what's hip (sorry for the 70's expression. I don't know the modern nomenclature for "up-to-the-minute"in music speak, particularly as Her Majesty's subjects might coin it). Had he considered that my audience is the early '70s generation, he might have taken a different view. What's most amusing to me is that the reason he could not recommend this album is that it is only 34 minutes long (fashioned after most vinyl LPs of my generation). In other words, he hated it but couldn't get enough of it (?) Really? One thing critics like this chap who thinks he represents all things "Now" hates, is when he discovers he likes some music from his parent's generation. He feels he may not be so hip or that he may be loosing his edge with age. They call that maturity, something he will grow to appreciate as time goes on, and the lack of which is obvious throughout his entire review. Cheerio!



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