Reviewed by Tom Lennie Being familiar with some of Faith Cook's previous writings (her book Singing In The Fire is a wee gem), I'm well aware of how able a communicator she is, as well of her thoroughness as a biographer, with a consistent eye for historical detail and accuracy as well as for theological orthodoxy. This sturdy volume (400 pages) seeks to trace the development of British hymnody from the earliest period up to the present day by means of biographical sketches of some of the nation's foremost writers. Thus she devotes a chapter on each of 13 different composers, with a couple of further chapters giving mini-profiles of other popular hymnwriters. Isaac Watts (1674-1748) she terms "the Pioneer of English hymns"; later choices include Charles Wesley John Newton, James Montgomery, Frances Ridley Havergal and Fanny Crosby (1820-1915). Thankfully, Cook doesn't forget non-English composers; William Williams is termed the Poet of the Welsh Evangelical revival, while, further north, Horatius Bonar is referred to as the "Prince of Scottish hymnwriters". In relating brief life stories of each subject, the author makes fascinating demonstration of the way their individual personalities and circumstances were often reflected in the hymns they wrote. Cook notes that during the first 60 years of the 20th century little hymns of worth appeared within the UK (the excellent "Thine Be The Glory" excepted). More recently, however, "a new type of worship song began to emerge". By this Cook presumably means the rise of choruses and hymns influenced by the charismatic movement. She singles out Kendrick and Townend for very brief discussion, but avoids fuller treatment of modern trends. A sad omission. Nevertheless, the book gives a wonderful history of two centuries of British hymnwriters (the 18th and 19th), and it all makes for most interesting reading - also a fine reference source. A volume to be treasured.
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