STYLE: Roots/Acoustic RATING OUR PRODUCT CODE: 14686-CAS1382 LABEL: REX Music 7901421274 FORMAT: CD Album ITEMS: 1
Reviewed by James Lewis
Apparently, Nina is the vocalist/bass player with thrash band The Lead. I've never listened to them but this album is definitely NOT thrash - instead it goes for a sixties feel, sort of a retro-indie/garage psychodelia sound, rather like a less commercial Bangles or even The Pretenders, and displays more melodic sense and vocal ability than any thrash artist has a right to. Instruments are restricted to mainly guitar (electric and acoustic), bass and, unfortunately, a drum machine - personally I think the human touch might have helped. Tracks worth a listen include "Calm Before The Storm", "You Better Run Away" and, an obvious but well executed cover of The Byrds' "Turn, Turn, Turn". Also worth a mention purely for its contrast to the rest of the album is "Like The Way It Fits", a streetwise Latin dance number worthy of Lisa Lisa. A brave departure from previous work with hopefully more to follow.
The opinions expressed in this article are
not necessarily those held by Cross Rhythms. Any expressed
views were accurate at the time of publishing but may or may
not reflect the views of the individuals concerned at a
later date.
Interested in reviewing music? Find out
more here.
Thanks for the review. At the time her album was released
there were few Christian songwriters that trended with
contemporary styles. What a joy it was to discover her. I'm
listening to it now and thanking God for someone like her
and the Lead and others who were pariahs to the Christian
music industry for their musical style and outsiders to
their worldly musical peers because of their beliefs. But
they pioneered for and inspired a new generation of
Christian artists.
Thanks for the review. At the time her album was released there were few Christian songwriters that trended with contemporary styles. What a joy it was to discover her. I'm listening to it now and thanking God for someone like her and the Lead and others who were pariahs to the Christian music industry for their musical style and outsiders to their worldly musical peers because of their beliefs. But they pioneered for and inspired a new generation of Christian artists.