Simon Dillon reflects on this year's winners
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Best Film Editing: Whiplash - I'd have gone for Boyhood, purely for the seamless way the passing of time was depicted without drawing attention to itself.
Best Production Design: The Grand Budapest Hotel - A well-deserved winner.
Best Score: Alexandre Desplat (The Grand Budapest Hotel) - A good score, certainly, but I preferred Hans Zimmer's work on Interstellar.
Best Costume Design: The Grand Budapest Hotel - Another well-deserved win.
Best Documentary: CitizenFour - I have yet to see CitizenFour, but by all accounts it is essential viewing.
Best Sound Editing: American Sniper - This really should have been Interstellar. Those spacecraft rumbles were wonderful.
Best Sound Mixing: Whiplash - Again, see above really. Interstellar fully deserved both sound awards.
So there we have it for another year. The usual disappointments but
some delightful surprises too this time. I wonder how long it will be
before I agree with another Best Picture winner? Who knows? Perhaps
next year I'll score two in a row. ![]()
Simon Dillon was born the year Steven Spielberg made moviegoers terrified of sharks He loves books and films, writing the former and reviewing the latter. His novels include Peaceful Quiet Lives, Children of the Folded Valley, Spectre of Springwell Forest, and Uncle Flynn. Simon is a fully committed Christian, but doesn’t like to “identify” with any particular denomination. He doesn’t do hugs, and generally prefers moody, sombre Gregorian chants to bouncier Christian music (with a few exceptions). In his reviews, he isn’t interested in counting f-words and miniskirts, but he attempts to unpack the message of the film, with faith issues in mind.
