Reviewed by Steven Whitehead

It is stating the obvious to point out that there are many Messiahs on the market, many of them worthy of your attention. So what makes this take on Handel's masterpiece of interest? The American conductor John Nelson is best known for his work on Berlioz which is perhaps in its way a useful preparation for tackling Handel, especially when we remember that many oratorios of the 17th century were constructed as a sometimes less than subtle way of getting around the ban on the performance of operas during Lent. So in November 2022 Nelson conducted this splendid performance of 'Messiah' in the atmospheric space of New St Michael's Cathedral, Coventry. The recording comes as a three-disc set comprising the audio version (two CDs) and the video (one DVD). Nelson's chosen version of the score reflects Messiah's evolution over the period from 1741 (Handel's original autograph score) to the early 1750s, when a 'standard' version of the oratorio took shape. In addition, the CDs offer eight bonus tracks - alternative versions of now-familiar arias and it is these alternatives that make this particular 'Messiah' different. For those interested in the history of how Handel adapted Charles Jennens' libretto to suit the changing locations and available soloists there is an informative guide by David Vickers in the CD booklet. Those who are less interested in the history and who want to enjoy the music will not be disappointed by the historically informed orchestra and choir of The English Concert, with soprano Lucy Crowe, counter-tenor Alex Potter, tenor Michael Spyres and bass Matthew Brook as soloists supplemented by another counter-tenor, Rory McCleery, joining Alex Potter for a duet in "How Beautiful Are The Feet". All the Handel highlights are present and correct from "Comfort Ye My People" to "Worthy The Lamb That Was Slain" by way of an impressive "Hallelujah", a moving "I Know That My Redeemer Liveth" and a rousing "The Trumpet Shall Sound". The DVD shows Graham Sutherland's magnificent tapestry of Christ in Glory overlooking the choir which is an apt visual addition to a well thought out and excellently performed rendition of Handel's 'Messiah'.

The opinions expressed in this article are not necessarily those held by Cross Rhythms. Any expressed views were accurate at the time of publishing but may or may not reflect the views of the individuals concerned at a later date.

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