Henry Purcell, The King's Consort - Complete Anthems And Services Vol 9

Thursday 1st December 1994
Henry Purcell, The King's Consort - Complete Anthems And Services Vol 9

STYLE: Choral
RATING 9 9 9 9 9 9 9 9 9
LABEL: Hyperion 66693

Reviewed by John Irvine

Henry Purcell was one of England's finest composers, doing more for posterity in 36 brief years than most people achieve in much longer lifespans. In 1679 the young Purcell became organist at Westminster Abbey and as part of the job had to compose new music almost weekly for the normal services of the Abbey and for special occasions. His speed of composition was so remarkable that within five years he had produced nearly 100 anthems, services and other sacred works as well as an incredible volume of work for the theatre and chamber works. Impressively, all of this music was remarkably original and of an exceedingly high standard. Although a fair number of Purcell's works are still regular items in the services of English cathedrals, the majority of his output for church worship is seldom heard. The King's Consort - made up of Britain's finest singers and period-musicians - have dedicated themselves to performing and recording all of Purcell's church music over a period of five years. As Robert King, the music director, puts it: "This is wonderful music of the highest quality that deserves to be heard far more often than it is." Volume 9 of this ongoing series contains several early works of Purcell, demonstrating that his gifts of setting scripture to music in a colourful, original and dramatic way were almost fully developed early in Purcell's brief career. "Blessed Be The Lord My Strength" is an absolute gem, for example, with a bass soloist nobly expressing faith in God joined by a pair of tenors to examine God's great grace shown to man. The recording also contains first recordings of several of Purcell's anthems, including the magnificent "The Lord Is My Light". The highlight of the disc is the final track "In Guilty Night", the story of Saul and the witch of Endor. It is unique amongst Purcell's sacred music, fitting into no single category, combining elements of the devotional song, the cantata and the oratorio. It is both dramatic and entertaining. As expected, the recording is up to Hyperion's high standard and the soloists, particularly Michael George (bass), outstanding. An excellent addition to this indispensable series of recordings.

The opinions expressed in this article are not necessarily those held by Cross Rhythms. Any expressed views were accurate at the time of publishing but may or may not reflect the views of the individuals concerned at a later date.

Interested in reviewing music? Find out more here.

Be the first to comment on this article

We welcome your opinions but libellous and abusive comments are not allowed.

We are committed to protecting your privacy. By clicking 'Send comment' you consent to Cross Rhythms storing and processing your personal data. For more information about how we care for your data please see our privacy policy.


Connect with Cross Rhythms by signing up to our email mailing list

Press Forward, Now!
Cross Rhythms Media Training Centre
Artists & DJs A-Z
# A B C D E F G H I J K L M
N O P Q R S T U V W X Y Z #
Or keyword search


Courts of Praise
Get close to God, be extravagant in declaring your love for Him in our Prayer Room