Reviewed by Steven Whitehead

Born around 1575, Thomas Weelkes is remembered for his colourful life and violent death in 1623 (the same year that William Byrd, his "ancient and much reverenced master," died). This is regrettable as he was an accomplished composer although not in the same league as Byrd. This collection is an excellent introduction to Weelkes' services, verse anthems and sacred madrigals and features first recordings of several works in new reconstructions by scholar Peter James who has also written the very helpful and interesting sleevenotes. Benjamin Nicholas' Tewkesbury choir is, like Weelkes, not quite first division, so to speak, but the singers give a very creditable performance although there are one or two points where the trebles are not quite strong enough. The quality of the recording is first rate and producer Adam Binks and engineer Beth Mackay deserve a tip o' the hat. The music is pleasant enough although sometimes it does not seem to go anywhere, which is a reflection of the style of the day rather than a criticism of the composer's skill: comparisons with Orlando Gibbons and Thomas Tomkins are not out of place. Listeners who are new to Tudor music should start their explorations with Byrd and Tallis but those who are ready to delve deeper into our musical heritage will be grateful for this new release and all who enjoy traditional Anglican choral singing will also find much to enjoy.

The opinions expressed in this article are not necessarily those held by Cross Rhythms. Any expressed views were accurate at the time of publishing but may or may not reflect the views of the individuals concerned at a later date.

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