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At Aintree, Liverpool on 1st to 3rd July took place the 10th Crossfire Festival. Next year the event will be reborn as Cross Rhythms North West. To the 2,300 people who went to the historic last Crossfire, the event was a thrilling success. Chris Cole gives a personal account. [01.08.94]

Even before Take 6, Glad, Acapella et al came on the scene, an African American team known as SWEET HONEY IN THE ROCK were singing without a band. George Luke spoke to the group's founder Bernice Johnson Reagon. [01.08.94]Sixpence None The Richer: The US rockers prepare to play British festivals
A new band previously enthused about in the pages of Cross Rhythms and now about to play British fests are SIXPENCE NONE THE RICHER. The penny drops for Tony Cummings. [01.08.94]If David Played Harp Did Balaam Play Guitar?: Prophetic music by non-Christians
Christian truth presented by non-Christian rock artists?! James Lewis takes a look at "spiritual truth given by the spiritually blind". [01.08.94]

When you meet four Scotsmen from Oban who are willing to travel 13 hours by road for one gig, and over 300 miles just to reach a recording studio, you want to ask "Why?". Geoff Howlett asked that very same question of West Coast rockers CURAM. [01.08.94]

The New Wine and Soul Survivor events have propelled a young man, barely out of his teens, into national ministry. Andrew Long spoke to MATT REDMAN. [01.08.94]

Liz Liew, who is doing a music degree at City University, London, tells how a track by Rick Hordinski and Linford Detweller impacted her life. [01.06.94]

Albums by British gospel choirs are a rarity. But now the 120-strong IDMC have emerged with a blistering new release. Andy Charalambous reports. [01.06.94]

For many people, HENRY BRAN has provided a human face for the tragic nation off El Salvador. He has developed a ministry in music in Britain reaching out to Spanish speakers and English speakers alike. John Irvine spoke to him recently in his East London home. [01.06.94]

In America's CCM scene RICH MULLINS has done it all, writing songs for Amy Grant, composing popular worship choruses and recording a series of increasingly daring albums of his own. He spoke at length to Jan Willem Vink. [01.06.94]